The Days
- heavy
- slow-burn
- bleak
- intimate
Heavy, slow-burn, measured drama / art house, grounded in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →The Australian goldfields period drama Rush (1974) was given The Late Show treatment with a slick re-editing and re-voicing which produced absurd plotlines, strange characters and 'Stupid Hat Day' on the goldfields. 'The Olden Days' originally appeared as 20 three-minute stand-alone short segments in _"Late Show, The" (1992)_, and were later strung together and released on video.
Our read · The Days (1993) reads as a heavy, slow-burn, grounded drama · art house entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Days
What watching it is actually like.
“You want quick Australian gold-rush parody that rewards silly humor.”
Skip it tonight — You have no patience for dubbed absurdist TV comedy compilations.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself