The Con Is On
- warm
- brisk
- gentle
- intimate
Warm, kinetic, gentle comedy / crime, grounded in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →In an effort to avoid paying off a massive gambling debt to a notorious mobster in England, a couple flees to Los Angeles and hatch a jewel theft plot.
Our read · The Con Is On (2018) reads as a warm, kinetic, grounded comedy · crime entry — gentle in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Con Is On
What watching it is actually like.
“You want a breezy Anglo-L.A. jewel-heist caper with Tim Roth and Uma Thurman.”
Skip it tonight — Skip if sloppy crime-comedy chemistry and thin stakes will irritate you.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself