The Coffee Table (2022) poster
2022 · horror · black-comedy · drama

The Coffee Table

Directed by Caye Casas1h 31m2022
ElsewhereIMDb6.712kRT89%Metacritic72TMDB6.9306
  • heavy
  • extreme
  • bleak
  • cold
Movie DNA

Heavy, steady, extreme horror / black-comedy, inventive in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.

How every film is hand-scored →

Jesus and María are a couple going through a difficult time in their relationship. Nevertheless, they have just become parents. To shape their new life, they decide to buy a new coffee table. A decision that will change their existence.

Our read · The Coffee Table (2022) reads as a heavy, steady, inventive horror · black-comedy · drama entry — extreme in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

Where the cast leads
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The shape of The Coffee Table

Tonight, this looks like

What watching it is actually like.

You want excruciating domestic dread where every polite smile curdles.

ends devastatingit will wreck youbuilds to a gut-punch finalegrips from the openattention 5/5breezes bysubtitles: full
Date nightWith friendsSoloWith parentsKids around
Heads-upchild perilgraphic violencegore

Skip it tonightSkip tonight if infant peril, gore, or stomach-churning anxiety repels you.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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