The Cocoanuts (1929) poster
1929 · paramount · marx-brothers · berlin

The Cocoanuts

Directed by Robert Florey, Joseph Santley1h 33m1929
ElsewhereIMDb6.89kRT95%Metacritic69TMDB6.5125
  • cosy
  • brisk
  • gentle
  • intimate
  • funny
Movie DNA

Cosy, kinetic, gentle paramount / marx-brothers, inventive in texture. Redemptive, intimate, measured, hand-scored across twelve axes of taste.

How every film is hand-scored →

During the Florida land boom, the Marx Brothers run a hotel, auction off some land and thwart a jewel robbery.

Our read · The Cocoanuts (1929) reads as a cosy, kinetic, inventive paramount · marx-brothers · berlin entry — gentle in intensity, intimate in scope, measured in temperature, redemptive in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

Where the cast leads
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The shape of The Cocoanuts

Tonight, this looks like

What watching it is actually like.

You want vintage Marx Brothers chaos, wordplay, and early talkie slapstick energy.

ends warmyou’ll be fine aftergrabs you earlygrips from the openattention 2/5breezes by
Date nightWith friendsSoloWith parentsKids around

Skip it tonightSkip if brittle 1929 sound and stagey pacing will pull you out.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
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