The Best Is Yet to Come (2019) poster
2019 · comedy · drama

The Best Is Yet to Come

Directed by Matthieu Delaporte, Alexandre de La Patellière1h 57m2019
ElsewhereIMDb6.73k
  • warm
  • brisk
  • gentle
  • tender
  • intimate
Movie DNA

Warm, kinetic, gentle comedy / drama, grounded in texture. Ambivalent, intimate, tender, hand-scored across twelve axes of taste.

How every film is hand-scored →

Following a huge misunderstanding, two friends always decide to tackle everything to make up for lost time.

Our read · The Best Is Yet to Come (2019) reads as a warm, kinetic, grounded comedy · drama entry — gentle in intensity, intimate in scope, tender in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of The Best Is Yet to Come

Tonight, this looks like

What watching it is actually like.

You want two French friends seizing life and repairing their bond after a misunderstanding.

ends upliftingyou’ll feel glowing aftergrabs you earlygrips by minute 8attention 3/5earns its lengthsubtitles: full
Date nightWith friendsSoloWith parentsKids around

Skip it tonightSkip if you want high stakes action or dislike French conversational comedies.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
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