The Bad Guys: Little Lies and Alibis
- cosy
- kinetic
- gentle
- redemptive
- tender
- funny
Cosy, breathless, gentle animation / comedy, inventive in texture. Redemptive, mid-stakes, tender, hand-scored across twelve axes of taste.
How every film is hand-scored →A group of former criminals do their best to get to their parole interview on time.
Our read · The Bad Guys: Little Lies and Alibis (2025) reads as a cosy, breathless, inventive animation · comedy · crime entry — gentle in intensity, mid-stakes in scope, tender in temperature, redemptive in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Bad Guys
What watching it is actually like.
“You want a quick animated comedy short of ex-crooks scrambling for parole.”
Skip it tonight — Skip if you need a full story or deeper character arcs tonight.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself