Tel Aviv Stories
Neutral, steady, measured drama / anthology, grounded in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Three stories about three women: one is trying to find the right guy; one is trying to get a divorce from her runaway husband so she takes hostages; one turns Tel Aviv upside down in order to save a kitten trapped in a storm drain.
Our read · Tel Aviv Stories (1992) reads as a neutral, steady, grounded drama · anthology · women entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Tel Aviv Stories
What watching it is actually like.
“You want three quirky stories of women navigating love, divorce and city life in Tel Aviv.”
Skip it tonight — You want a single linear plot or Hollywood polish.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself