Take Me
- brisk
- intimate
Neutral, kinetic, measured comedy / crime, inventive in texture. Ambivalent, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Ray is a fledgling entrepreneur who specializes in high-end simulated abductions. He jumps at the chance when a mysterious client contracts him for a weekend kidnapping with a handsome payday at the end. But the job isn't all that it seems.
Our read · Take Me (2017) reads as a neutral, kinetic, inventive comedy · crime entry — measured in intensity, intimate in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Take Me
What watching it is actually like.
“You want a kidnapping gig comedy that keeps warping the contract.”
Skip it tonight — Skip if roleplay discomfort and twisty unease kill the fun.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself