Street Mobster
- heavy
- kinetic
- extreme
- bleak
- cold
Heavy, breathless, extreme yakuza / crime, grounded in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →After serving time, a defiant street thug is incensed to find his town overrun by two yakuza factions. He gathers his crew and takes them on.
Our read · Street Mobster (1972) reads as a heavy, breathless, grounded yakuza · crime · action entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in the UK · via JustWatch
More info & search links
The shape of Street Mobster
What watching it is actually like.
“You want raw brutal 70s yakuza street thug violence and defiance.”
Skip it tonight — You cannot stomach graphic violence, rape or bleak crime stories.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself