Story of Women
- heavy
- intense
- bleak
Heavy, steady, extreme drama / war, grounded in texture. Nihilistic, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →France, World War II. In order to somehow make ends meet, the mother of two children, Marie Latour, does underground abortions and rents a room to a familiar prostitute. She doesn't pay any attention to her husband, who returned from the war because of his injury, and lives her own life. Abortions gradually begin to bring a good income, and boredom can be easily dispelled by starting up with a young lover.
Our read · Story of Women (1988) reads as a heavy, steady, grounded drama · war · abortion entry — extreme in intensity, mid-stakes in scope, measured in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Story of Women
What watching it is actually like.
“You want a stark unsentimental drama about women and abortion in wartime.”
Skip it tonight — You want light entertainment or avoid heavy historical trauma.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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