Stockholm
- brisk
Neutral, kinetic, measured crime / comedy, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Based on the extraordinary true story of the European city’s 1973 bank heist and hostage crisis that was documented in the 1974 New Yorker article “The Bank Drama” by Daniel Lang. The events grasped the world’s attention when the hostages bonded with their captors and turned against the authorities, giving rise to the psychological phenomenon known as “Stockholm Syndrome.”
Our read · Stockholm (2019) reads as a neutral, kinetic, grounded crime · comedy · survival entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Stockholm
What watching it is actually like.
“You want a brisk true-crime caper with dark humor and unlikely chemistry.”
Skip it tonight — You need zero hostage tension or any violence in your late-night pick.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself