Steve Jobs: The Man in the Machine
- sombre
- cold
Sombre, steady, gentle documentary, grounded in texture. Ambivalent, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →When Steve Jobs died the world wept. But what accounted for the grief of millions of people who didn’t know him? This evocative film navigates Jobs' path from a small house in the suburbs, to zen temples in Japan, to the CEO's office of the world's richest company, exploring how Jobs’ life and work shaped our relationship with the computer. The Man in the Machine is a provocative and sometimes startling re-evaluation of the legacy of an icon.
Our read · Steve Jobs: The Man in the Machine (2015) reads as a sombre, steady, grounded documentary entry — gentle in intensity, mid-stakes in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of Steve Jobs
What watching it is actually like.
“You want a sharp Alex Gibney takedown of the myth behind your favorite devices.”
Skip it tonight — Skip if you want hagiography tonight or factory-suicide footage will sour the mood.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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