Sorry to Bother You (2018) poster
2018 · comedy · drama · sci-fi

Sorry to Bother You

Directed by Boots Riley1h 52m2018
ElsewhereIMDb6.994kRT93%Metacritic78TMDB6.82k
  • brisk
  • intense
  • surreal
  • bleak
  • signature
Movie DNA

Neutral, kinetic, measured comedy / drama, surreal in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.

How every film is hand-scored →

In an alternate present-day version of Oakland, black telemarketer Cassius Green discovers a magical key to professional success – which propels him into a macabre universe.

Our read · Sorry to Bother You (2018) reads as a neutral, kinetic, surreal comedy · drama · sci-fi entry — measured in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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Availability in Latvia · via JustWatch

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The shape of Sorry to Bother You

Tonight, this looks like

What watching it is actually like.

You want Oakland satire that mutates from workplace comedy into surreal capitalist nightmare fuel.

ends unsettlingit stays with youa rollercoastergrips by minute 18attention 4/5earns its length
Date nightWith friendsSoloWith parentsKids around
Heads-updrug usenudityexplicit sexgraphic violence

Skip it tonightYou hate weird pivots, horse imagery, and capitalism lectures disguised as comedy.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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