Small Town Crime
- sombre
- brisk
- intense
Sombre, kinetic, extreme thriller / crime, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Mike Kendall, a disgraced ex-cop, is fighting a losing battle with the bottle. When he finds a woman left for dead at the side of a road, Kendall turns private eye to track down her killers, taking one last shot at redemption.
Our read · Small Town Crime (2018) reads as a sombre, kinetic, grounded thriller · crime · mystery entry — extreme in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Small Town Crime
What watching it is actually like.
“You want a tight Utah noir with John Hawkes finding one last shot.”
Skip it tonight — Prostitution, alcoholism, and shootouts feel too grim for tonight.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself