Simon Killer
- heavy
- measured
- intense
- bleak
- cold
- intimate
Heavy, measured, measured drama / thriller, grounded in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →A recent college graduate flees to Paris after a break-up, where his involvement with a prostitute begins to reveal a potentially dark recent past.
Our read · Simon Killer (2012) reads as a heavy, measured, grounded drama · thriller entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Simon Killer
What watching it is actually like.
“You want a hypnotic, disturbing study of a lost man in Paris's underbelly.”
Skip it tonight — Skip if slow hypnotic pace, explicit sex and dark psychology will disturb.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself