Rise of the Footsoldier (2007) poster
2007 · action · crime · thriller · sports

Rise of the Footsoldier

Directed by Julian Gilbey1h 59m2007
ElsewhereIMDb6.723kRT14%
  • heavy
  • brisk
  • extreme
  • bleak
  • cold
Movie DNA

Heavy, kinetic, extreme action / crime, grounded in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.

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Rise of the Footsoldier follows the inexorable rise of Carlton Leach from one of the most feared generals of the football terraces to becoming a member of a notorious gang of criminals who rampaged their way through London and Essex in the late eighties and early nineties.

Our read · Rise of the Footsoldier (2007) reads as a heavy, kinetic, grounded action · crime · thriller entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

Where the cast leads
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The shape of Rise of the Footsoldier

Tonight, this looks like

What watching it is actually like.

You want raw Essex terrace-crime brutality from hooligan ranks upward.

ends devastatingit leaves you shakena rollercoastergrips by minute 10attention 3/5earns its length
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violencegoredrug usenudityexplicit sex

Skip it tonightSkip if graphic torture, needles, and misogynist rage repulse you.

If Rise of the Footsoldier is your film
DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

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Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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