
Ricky Gervais: Out of England
- kinetic
- gentle
- cold
- intimate
- funny
Warm, breathless, gentle comedy / supernatural, grounded in texture. Ambivalent, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Taped live before a sold-out audience at the WaMu Theater at New York Citys Madison Square Garden, Ricky Gervais: Out of England The Stand-Up Special is a high-spirited hour of offbeat observations and understated humor from the actor/comedian/writer/director.
Our read · Ricky Gervais: Out of England (2008) reads as a warm, breathless, grounded comedy · supernatural entry — gentle in intensity, intimate in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.




More info & search links
The shape of Ricky Gervais
What watching it is actually like.
“You enjoy edgy British stand-up with taboo topics and sharp observations.”
Skip it tonight — You dislike strong profanity or sexual humor in comedy.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”








Discussion
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