Redux Redux
- heavy
- brisk
- extreme
- inventive
- bleak
- cold
Heavy, kinetic, extreme sci-fi / thriller, inventive in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →In an attempt to avenge her daughter’s death, Irene Kelly travels through parallel universes, killing her daughter’s murderer again and again. As she becomes consumed by vengeance, her humanity begins to slip away—until the cycle is disrupted when she rescues Mia, a sharp-witted teenager already marked by the killer.
Our read · Redux Redux (2025) reads as a heavy, kinetic, inventive sci-fi · thriller · horror entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Redux Redux
What watching it is actually like.
“You want dark multiverse thriller about grief turning into obsession.”
Skip it tonight — You want hopeful stories or can't handle intense revenge violence.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
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