Rebellion
- heavy
- brisk
- intense
- cold
Heavy, kinetic, measured drama / action, grounded in texture. Nihilistic, epic, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →April 1988, Ouvéa Island, New Caledonia. 30 gendarmes are taken hostage by a group of Kanak freedom fighters. 300 soldiers are sent from France to re-establish order. 2 men confront each other: Philippe Legorjus, chief of the terrorist squad, and Alphonse Dianou, head of the kidnappers. Through their shared values, they will attempt to make discussion triumph. But, in the middle of a presidential election, when the stakes are political, order isn't always dictated by morality. A violent and troubling epic that marks the return of Mathieu Kassovitz in front and behind the camera.
Our read · Rebellion (2011) reads as a heavy, kinetic, grounded drama · action · history entry — measured in intensity, epic-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Rebellion
What watching it is actually like.
“You want a serious political drama about hostage crisis and clashing ideals.”
Skip it tonight — You want escapist action or dislike stories based on real colonial violence.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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