Raw (2017) poster
2017 · horror · drama

Raw

Directed by Julia Ducournau1h 38m2017
ElsewhereIMDb6.994kRT92%Metacritic81
  • heavy
  • extreme
  • inventive
  • cold
Movie DNA

Heavy, steady, extreme horror / drama, inventive in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.

How every film is hand-scored →

Stringent vegetarian Justine encounters a decadent, merciless, and dangerously seductive world during her first week at veterinary school. Desperate to fit in, she strays from her principles and eats raw meat for the first time. She soon experiences terrible and unexpected consequences as her true self begins to emerge.

Our read · Raw (2017) reads as a heavy, steady, inventive horror · drama entry — extreme in intensity, intimate in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of Raw

Tonight, this looks like

What watching it is actually like.

You want transgressive French horror that crawls under your skin and refuses polite comfort.

ends unsettlingit will wreck youa slow buildgrips by minute 22attention 5/5breezes bysubtitles: full
Date nightWith friendsSoloWith parentsKids around
Heads-upexplicit sexgorebody horrorgraphic violence

Skip it tonightBody horror, gore, and queasy taboo territory make this a terrible casual pick.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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