Palindromes (2005) poster
2005 · comedy · drama

Palindromes

Directed by Todd Solondz1h 40m2005
ElsewhereIMDb6.713kRT43%Metacritic53
  • heavy
  • measured
  • surreal
  • bleak
  • cold
  • intimate
Movie DNA

Heavy, measured, measured comedy / drama, surreal in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.

How every film is hand-scored →

Aviva is thirteen, awkward and sensitive. Her mother Joyce is warm and loving, as is her father, Steve, a regular guy who does have a fierce temper from time to time. The film revolves around her family, friends and neighbors.

Our read · Palindromes (2005) reads as a heavy, measured, surreal comedy · drama entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of Palindromes

Tonight, this looks like

What watching it is actually like.

You want confrontational Todd Solondz provocation about innocence, desire, and hypocrisy.

ends ambiguousit leaves you shakena rollercoastergrips by minute 8attention 5/5earns its length
Date nightWith friendsSoloWith parentsKids around
Heads-upcringe humiliationchild perilexplicit sex

Skip it tonightYou cannot stomach taboo teen sexuality, discomfort comedy, or deliberately alienating filmmaking.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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