No and Me
- sombre
- measured
- intimate
Sombre, measured, measured drama, grounded in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →At thirteen-years-old, with an unusually high IQ and a knack for observing things about other people, Lou Bertignac is not only the youngest in her class at school; she is also the most unusual. Painfully shy, she has few friends, save for Lucas, whose company helps her get through each day. At home, Lou's life is also difficult: Her mother hasn't left the house in years and her father spends his days crying in the bathroom. Lou's world is dark and sad... That is, until she meets No.
Our read · No and Me (2010) reads as a sombre, measured, grounded drama entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of No and Me
What watching it is actually like.
“You want a gentle French drama of an odd friendship between a gifted girl and homeless teen.”
Skip it tonight — Skip if stories of depression, homelessness and fragile connections feel too sad.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself