Nargess
- heavy
- bleak
- intimate
Heavy, steady, measured drama / crime, grounded in texture. Nihilistic, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →A sharp-edged look at people who live outside the constraints of Islamic law.
Our read · Nargess (1992) reads as a heavy, steady, grounded drama · crime · iranian entry — measured in intensity, intimate in scope, measured in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Nargess
What watching it is actually like.
“You want a gritty Iranian social drama of thieves and a love triangle on society's edge.”
Skip it tonight — Skip if you need light romance or fast plots over slow-burn realism.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself