Nanny
- heavy
- measured
- intense
- inventive
Heavy, measured, measured horror / drama, inventive in texture. Nihilistic, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Aisha, a Senegalese immigrant who takes a job as a nanny for a wealthy white family in New York City, finds herself consumed by unsettling visions and a growing rage.
Our read · Nanny (2022) reads as a heavy, measured, inventive horror · drama entry — measured in intensity, intimate in scope, measured in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Nanny
What watching it is actually like.
“You want immigrant grief and folklore dread simmering beneath a Manhattan nanny job.”
Skip it tonight — Skip if slow-burn psychological horror and drowning despair feel too heavy tonight.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself