Muck (2015) poster
2015 · horror · slasher

Muck

Directed by Steve Wolsh1h 39m2015
ElsewhereIMDb2.73kRT0%
  • heavy
  • kinetic
  • extreme
  • bleak
  • cold
  • intimate
Movie DNA

Heavy, breathless, extreme horror / slasher, inventive in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.

How every film is hand-scored →

A group of friends emerge from the darkness, bloody and lucky to be alive. Having already lost two friends in the marsh, they break into an empty vacation house to take shelter. Whatever was in the marsh is still after them, but it's not the only thing that wants them dead. Something much worse and more savage lays in wait.

Our read · Muck (2015) reads as a heavy, breathless, inventive horror · slasher entry — extreme in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of Muck

Tonight, this looks like

What watching it is actually like.

You want cheap gory swamp slasher horror with nudity and over-the-top kills.

ends unsettlingit leaves you shakena rollercoastergrips by minute 5attention 2/5breezes by
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violencegorenudityexplicit sexjump scares

Skip it tonightSkip if bad acting, confusing story or sleazy nudity will ruin the night for you.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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