More Than Honey
- sombre
- measured
Sombre, measured, measured documentary, grounded in texture. Ambivalent, epic, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →With dazzling nature photography, Academy Award®–nominated director Markus Imhoof (The Boat Is Full) takes a global examination of endangered honeybees — spanning California, Switzerland, China and Australia — more ambitious than any previous work on the topic.
Our read · More Than Honey (2012) reads as a sombre, measured, grounded documentary entry — measured in intensity, epic-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of More Than Honey
What watching it is actually like.
“You want to understand the global bee crisis via stunning nature footage.”
Skip it tonight — You cannot handle scenes of insects or commercial animal exploitation.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself