Moon (2009)
- sombre
- measured
- intense
- inventive
- twisty
Sombre, measured, measured sci-fi / drama, inventive in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →With only three weeks left in his three-year contract, Sam Bell is eager to return to Earth. Stationed alone at a Moon-based facility with his computer assistant GERTY, an unexpected accident sets off a series of unsettling events that shake his isolation.
Our read · Moon (2009) (2009) reads as a sombre, measured, inventive sci-fi · drama · thriller entry — measured in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in the UK · via JustWatch
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The shape of Moon
What watching it is actually like.
“You want quiet lunar isolation, identity unease, and smart sci-fi on a human scale.”
Skip it tonight — Skip if you need action or spectacle instead of a one-man mood piece.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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