Modris
- heavy
- measured
Heavy, measured, measured drama / latvian, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →A true story of a 17 going on 18 year-old boy called Modris. He’s a guy who goes to school, has a girlfriend and some good friends. He has a small gambling addiction, which makes his relationship with his mother difficult. It’s also hard because the two of them live alone and the mother doesn’t miss a chance to remind him that his father is in prison and that Modris has a bad gene. Their relationship boils over when, in the middle of a Nordic winter, Modris pawns his mother’s electric heater in trying to squeeze a win from a slot machine. She betrays him to the police and Modris is sentenced to two years’ probation. That is when his adventures with the Latvian justice system begin and he sets a new goal: to find the father he has never met.
Our read · Modris (2014) reads as a heavy, measured, grounded drama · latvian entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of Modris
What watching it is actually like.
“You want a stark Latvian coming-of-age about teen gambling and family strain.”
Skip it tonight — You want feel-good teen stories or glossy dramas.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
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