Me and You and Everyone We Know
- warm
- measured
- signature
- intimate
Warm, measured, gentle comedy / drama, inventive in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Single dad Richard meets Christine, a starving artist who moonlights as a cabbie. They awkwardly attempt to start a romance, but Richard’s divorce has left him emotionally damaged. Meanwhile, Richard’s sons—one a teenager, the other 6-years-old—take part in clumsy experiments with the opposite sex.
Our read · Me and You and Everyone We Know (2005) reads as a warm, measured, inventive comedy · drama · romance entry — gentle in intensity, intimate in scope, measured in temperature, ambivalent in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in the US · via JustWatch
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The shape of Me and You and Everyone We Know
What watching it is actually like.
“You love Miranda July's tender, awkward vignettes about connection and longing.”
Skip it tonight — Online predator threads and kid sexual curiosity make you deeply uncomfortable.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
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