Marjoe (1972) poster
1972 · religion · portrait · oscar

Marjoe

Directed by Howard Smith, Sarah Kernochan1h 28m1972
ElsewhereIMDb7.42kRT100%TMDB7.635
  • brisk
Movie DNA

Neutral, kinetic, measured religion / portrait, grounded in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.

How every film is hand-scored →

Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the "church tent" Revivalist circuit, commenting on the showmanship of Evangelism and "the religion business", prior to the start of "televangelism". Preserved by the Academy Film Archive in 2005.

Our read · Marjoe (1972) reads as a neutral, kinetic, grounded religion · portrait · oscar entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of Marjoe

Tonight, this looks like

What watching it is actually like.

You want a classic expose documentary on the business of evangelism.

ends unsettlingit stays with yousteady all the waygrips by minute 5attention 4/5earns its length
Date nightWith friendsSoloWith parentsKids around

Skip it tonightYou want faith-affirming stories or avoid religious industry critique.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
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