Margaret (2011)
- heavy
- intense
- bleak
Heavy, steady, measured drama, grounded in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →17-year-old Lisa feels certain that she inadvertently played a role in causing a traffic accident that claimed a woman's life. In her attempts to set things right, she meets with opposition at every step. Torn apart with frustration, she begins emotionally brutalizing her family, her friends, her teachers, and, most of all, herself. She has been confronted quite unexpectedly with a basic truth: that her youthful ideals are on a collision course with the realities and compromises of the adult world.
Our read · Margaret (2011) (2011) reads as a heavy, steady, grounded drama entry — measured in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Margaret
What watching it is actually like.
“You want a dense New York coming-of-age drama about guilt, truth, and emotional chaos after a tragedy.”
Skip it tonight — You want plot momentum or can't sit through long talky arguments and moral reckoning.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself