Mammuth
- measured
- gentle
- intimate
Neutral, measured, gentle comedy, inventive in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Serge Pilardosse has just turned 60. He has worked since the age of 16, never unemployed, never sick. But the hour of retirement has come, and it is disillusionment: he is missing points, some employers having forgotten to declare it! Pushed by Catherine, his wife, he gets on his old motorcycle from the 70s, a "Mammut" which earned him his nickname, and sets off in search of his pay slips. During his journey, he rediscovers his past and his quest for administrative documents soon becomes incidental...
Our read · Mammuth (2010) reads as a neutral, measured, inventive comedy entry — gentle in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Mammuth
What watching it is actually like.
“You want a quirky French road trip with a retired slaughterhouse worker seeking his past.”
Skip it tonight — Skip if road movie rambling or French deadpan humor leaves you cold.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself