Madness
- heavy
- measured
- intense
- inventive
- bleak
- cold
Heavy, measured, extreme drama / war, inventive in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Blue Movie Madness is indeed a mad flick featuring lots of skin as a truly loverly blue-movie maiden shows a beginner the ropes. Everything here is geared toward laughs, but the essential purpose of skin flicks is never forgotten and the trade secrets exposed along the way are very revealing: "Don’t stab her in the eye with it!" yells the director, who can’t keep himself out of the action. Yes, "getting the part" takes on a new meaning in this one.
Our read · Madness (1968) reads as a heavy, measured, inventive drama · war · estonian entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Madness
What watching it is actually like.
“You want a cheeky 1960s softcore comedy about making a blue movie.”
Skip it tonight — Skip if nudity, old skin flicks or meta filmmaking satire don't appeal.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself