Lunacy (2005) poster
2005 · horror · surreal · satire

Lunacy

Directed by Jan Švankmajer1h 57m2005
ElsewhereIMDb7.14kRT64%Metacritic63TMDB6.775
  • heavy
  • intense
  • surreal
  • bleak
  • cold
  • signature
Movie DNA

Heavy, steady, measured horror / surreal, surreal in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.

How every film is hand-scored →

A man takes up residence with a mysterious marquis and is soon persuaded to enter into an asylum for preventative therapy. Things are not what they seem, and the marquis may be even more sinister than what the young man might have predicted.

Our read · Lunacy (2005) reads as a heavy, steady, surreal horror · surreal · satire entry — measured in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of Lunacy

Tonight, this looks like

What watching it is actually like.

You want Svankmajer's surreal Czech asylum horror blending Poe and de Sade.

ends unsettlingit leaves you shakenmeditativegrips by minute 12attention 4/5earns its lengthsubtitles: full
Date nightWith friendsSoloWith parentsKids around
Heads-upbody horrorexplicit sexnuditygore

Skip it tonightSkip if grotesque animation, blasphemy, or madhouse weirdness will unsettle you.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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