Lost on a Mountain in Maine
- warm
- brisk
- gentle
- redemptive
- tender
Warm, kinetic, gentle adventure / drama, grounded in texture. Redemptive, mid-stakes, tender, hand-scored across twelve axes of taste.
How every film is hand-scored →When twelve-year-old Donn Fendler gets tired of waiting for his father and brothers to join him on the summit of Maine's highest peak, he decides to find his own way back to camp. But Donn doesn't count on a fast-moving fog that obscures the path. He doesn't count on falling down an embankment that hides him from sight. And he doesn't count on taking a turn that leaves him alone to wander aimlessly for nearly two weeks in the empty mountain wilderness.
Our read · Lost on a Mountain in Maine (2024) reads as a warm, kinetic, grounded adventure · drama · family entry — gentle in intensity, mid-stakes in scope, tender in temperature, redemptive in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Lost on a Mountain in Maine
What watching it is actually like.
“You want a fact-based family survival tale of a boy finding his way home.”
Skip it tonight — Skip if a child alone in wilderness peril will cause too much anxiety.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself