Films like We, the Women.
We, the Women (1953) reads as Neutral, steady, measured anthology / women, grounded in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.
Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.
Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.
Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.
Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.
Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.
Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.
Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.
Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.
Keeps the patient, unhurried pace and the heightened unreality; trades toward a cold, bleak undertow.
These are We, the Women’s neighbours — where are yours?
Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.
Find my film for tonight — 60 sec →