Films like The Thief and the Cobbler.

The Thief and the Cobbler (1993) reads as Warm, kinetic, measured animation / family, surreal in texture. Redemptive, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

James and the Giant Peach (1996) (1996) poster
1. James and the Giant Peach1996

Keeps the documentary-plain realism and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Babe: Pig in the City (1998) poster
2. Babe: Pig in the City1998

Keeps the documentary-plain realism and the unmistakable directorial hand; trades toward a world-sized stakes.

Babe: Pig in the City (Miller) — re-pass (1998) poster
3. Babe: Pig in the City (Miller) — re-pass1998

Keeps the documentary-plain realism and the unmistakable directorial hand; trades toward a cold, bleak undertow.

The Nightmare Before Christmas (1993) poster
4. The Nightmare Before Christmas1993

Keeps the documentary-plain realism and the unmistakable directorial hand; trades toward a cold, bleak undertow.

I'm a Cyborg, But That's OK (2006) poster
5. I'm a Cyborg, But That's OK2006

Keeps the documentary-plain realism and the unmistakable directorial hand; trades toward a stubborn streak of hope.

The Adventures of Baron Munchausen (1988) poster
6. The Adventures of Baron Munchausen1988

Keeps the documentary-plain realism and the unmistakable directorial hand; trades toward a world-sized stakes.

The Cat Returns (2002) poster
7. The Cat Returns2002

Keeps the documentary-plain realism and the stubborn streak of hope; trades toward a airy, open telling.

Beetlejuice (1988) poster
8. Beetlejuice1988

Keeps the documentary-plain realism and the unmistakable directorial hand; trades toward a stubborn streak of hope.

The King and the Mockingbird (1980) poster
9. The King and the Mockingbird1980

Keeps the documentary-plain realism and the unmistakable directorial hand; trades toward a world-sized stakes.

Princes and Princesses (2000) poster
10. Princes and Princesses2000

Keeps the documentary-plain realism and the unmistakable directorial hand; trades toward a strange, dreamlike logic.

Labyrinth (1986) (1986) poster
11. Labyrinth1986

Keeps the documentary-plain realism and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Willy Wonka & the Chocolate Factory (1971) poster
12. Willy Wonka & the Chocolate Factory1971

Keeps the documentary-plain realism and the unmistakable directorial hand; trades toward a patient, unhurried pace.

These are The Thief and the Cobbler’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →