Films like The Return of an Adventurer.

The Return of an Adventurer (1966) reads as Neutral, kinetic, measured short / western, inventive in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Hunting Flies (1969) poster
1. Hunting Flies1969

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Whistling Cobblestone (1971) poster
2. The Whistling Cobblestone1971

Keeps the intimate, personal stakes and the heightened unreality; trades toward a cold, bleak undertow.

Vixen! (1968) poster
3. Vixen!1968

Keeps the patient, unhurried pace and the intimate, personal stakes; trades toward a cold, bleak undertow.

Peeping Toms (1972) poster
4. Peeping Toms1972

Keeps the cold, bleak undertow and the intimate, personal stakes — one of the nearest reads in the catalogue.

The Little Apartment (1959) poster
5. The Little Apartment1959

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Toth Family (1969) poster
6. The Toth Family1969

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The End of a Priest (1969) poster
7. The End of a Priest1969

Keeps the intimate, personal stakes and the heightened unreality; trades toward a cold, bleak undertow.

The Graduate (1967) poster
8. The Graduate1967

Keeps the cold, bleak undertow and the intimate, personal stakes; trades toward a patient, unhurried pace.

Big Eyes (1974) poster
9. Big Eyes1974

Keeps the cold, bleak undertow and the intimate, personal stakes; trades toward a patient, unhurried pace.

FVVA: Femme, voiture, villa, argent (1972) poster
10. FVVA: Femme, voiture, villa, argent1972

Keeps the patient, unhurried pace and the intimate, personal stakes; trades toward a cold, bleak undertow.

China Is Near (1967) poster
11. China Is Near1967

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a dense, packed storytelling.

Hi, Mom! (1970) poster
12. Hi, Mom!1970

Keeps the cold, bleak undertow and the intimate, personal stakes — one of the nearest reads in the catalogue.

These are The Return of an Adventurer’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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