Films like The Red Light Bandit.

The Red Light Bandit (1968) reads as Sombre, kinetic, measured crime / experimental, surreal in texture. Nihilistic, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Death Laid an Egg (1968) poster
1. Death Laid an Egg1968

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Branded to Kill (1967) poster
2. Branded to Kill1967

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The Cars That Ate Paris (1974) poster
3. The Cars That Ate Paris1974

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a cold, bleak undertow.

Weekend (1967) poster
4. Weekend1967

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Diary of a Shinjuku Thief (1969) poster
5. Diary of a Shinjuku Thief1969

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Partner (1968) poster
6. Partner1968

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a bone-dry seriousness.

Made in U.S.A (1966) poster
7. Made in U.S.A1966

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a cold, bleak undertow.

Birds, Orphans and Fools (1969) poster
8. Birds, Orphans and Fools1969

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Pierrot le Fou (1965) poster
9. Pierrot le Fou1965

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a cold, bleak undertow.

Satan's Brew (1976) poster
10. Satan's Brew1976

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a cold, bleak undertow.

Jubilee (1978) poster
11. Jubilee1978

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Trans-Europ-Express (1966) poster
12. Trans-Europ-Express1966

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a cold, bleak undertow.

These are The Red Light Bandit’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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