Films like The Pornographers.

The Pornographers (1966) reads as Sombre, measured, measured drama / comedy, inventive in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Mealtimes (1967) poster
1. Mealtimes1967

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Cul-de-sac (1966) poster
2. Cul-de-sac1966

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Part-Time Work of a Domestic Slave (1973) poster
3. The Part-Time Work of a Domestic Slave1973

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Symbiopsychotaxiplasm: Take One (1968) poster
4. Symbiopsychotaxiplasm: Take One1968

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Interview (1971) poster
5. Interview1971

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Blow-Up (1966) poster
6. Blow-Up1966

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Beware of a Holy Whore (1971) poster
7. Beware of a Holy Whore1971

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Something Different (1963) poster
8. Something Different1963

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

La Dolce Vita (1960) poster
9. La Dolce Vita1960

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Long Goodbye (1973) poster
10. The Long Goodbye1973

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

The Decameron (Pasolini) (1971) poster
11. The Decameron (Pasolini)1971

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

An Actor's Revenge (1963) poster
12. An Actor's Revenge1963

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a intimate, personal stakes.

These are The Pornographers’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →