FilmsThe OtherLike this

Films like The Other.

The Other (1972) reads as Heavy, measured, measured psychological / evil-child, inventive in texture. Nihilistic, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

An Angel for Satan (1966) poster
1. An Angel for Satan1966

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Let's Scare Jessica to Death (1971) poster
2. Let's Scare Jessica to Death1971

Keeps the cold, bleak undertow and the bone-dry seriousness — one of the nearest reads in the catalogue.

The Possessed (1965) poster
3. The Possessed1965

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Long Hair of Death (1964) poster
4. The Long Hair of Death1964

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Witch (1966) poster
5. The Witch1966

Keeps the cold, bleak undertow and the bone-dry seriousness — one of the nearest reads in the catalogue.

The Tomb of Ligeia (1964) poster
6. The Tomb of Ligeia1964

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Lilith (1964) poster
7. Lilith1964

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The House with Laughing Windows (1976) poster
8. The House with Laughing Windows1976

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Autopsy (1975) poster
9. Autopsy1975

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.

The House That Screamed (1969) poster
10. The House That Screamed1969

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.

Who Saw Her Die? (1972) poster
11. Who Saw Her Die?1972

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.

The Killer Reserved Nine Seats (1974) poster
12. The Killer Reserved Nine Seats1974

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

These are The Other’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →