FilmsThe Last RelicLike this

Films like The Last Relic.

The Last Relic (1969) reads as Warm, breathless, measured adventure / soviet, grounded in texture. Ambivalent, mid-stakes, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Captain Enrico's Watch (1967) poster
1. Captain Enrico's Watch1967

Keeps the grounded, familiar shape and the heightened unreality; trades toward a patient, unhurried pace.

The Thomas Crown Affair (1968) poster
2. The Thomas Crown Affair1968

Keeps the grounded, familiar shape and the heightened unreality — one of the nearest reads in the catalogue.

The Singing Thief (1969) poster
3. The Singing Thief1969

Keeps the grounded, familiar shape and the heightened unreality — one of the nearest reads in the catalogue.

The Elusive Avengers (1967) poster
4. The Elusive Avengers1967

Keeps the grounded, familiar shape and the heightened unreality — one of the nearest reads in the catalogue.

A Pistol for Ringo (1965) poster
5. A Pistol for Ringo1965

Keeps the grounded, familiar shape and the heightened unreality; trades toward a cold, bleak undertow.

Ringo and His Golden Pistol (1966) poster
6. Ringo and His Golden Pistol1966

Keeps the grounded, familiar shape and the heightened unreality; trades toward a cold, bleak undertow.

Cleopatra Jones (1973) poster
7. Cleopatra Jones1973

Keeps the grounded, familiar shape; trades toward a heightened unreality.

The Magnificent Texan (1967) poster
8. The Magnificent Texan1967

Keeps the grounded, familiar shape and the heightened unreality; trades toward a cold, bleak undertow.

Boot Hill (1969) poster
9. Boot Hill1969

Keeps the grounded, familiar shape and the heightened unreality; trades toward a cold, bleak undertow.

Dr. No (1962) poster
10. Dr. No1962

Keeps the grounded, familiar shape and the heightened unreality — one of the nearest reads in the catalogue.

Pumping Iron (1977) poster
11. Pumping Iron1977

Keeps the grounded, familiar shape and the cold, bleak undertow; trades toward a patient, unhurried pace.

Fort Yuma Gold (1966) poster
12. Fort Yuma Gold1966

Keeps the grounded, familiar shape and the heightened unreality; trades toward a cold, bleak undertow.

These are The Last Relic’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →