Films like The Exterminating Angel.

The Exterminating Angel (1962) reads as Sombre, measured, measured drama, surreal in texture. Nihilistic, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Josef Kilián (1963) poster
1. Josef Kilián1963

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Simon of the Desert (1965) poster
2. Simon of the Desert1965

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Juliet of the Spirits (1965) poster
3. Juliet of the Spirits1965

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Fellini's Casanova (1976) poster
4. Fellini's Casanova1976

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Secret Formula (1965) poster
5. The Secret Formula1965

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a patient, unhurried pace.

Case for a Rookie Hangman (1970) poster
6. Case for a Rookie Hangman1970

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a documentary-plain realism.

Performance (1970) (1970) poster
7. Performance1970

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a bone-dry seriousness.

Eika Katappa (1969) poster
8. Eika Katappa1969

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Arabian Nights (Pasolini) (1974) poster
9. Arabian Nights (Pasolini)1974

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Fellini Satyricon (1969) poster
10. Fellini Satyricon1969

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a documentary-plain realism.

Alphaville (1965) poster
11. Alphaville1965

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a bone-dry seriousness.

Funeral Parade of Roses (1969) poster
12. Funeral Parade of Roses1969

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a dense, packed storytelling.

These are The Exterminating Angel’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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