Films like The Draughtsman's Contract.

The Draughtsman's Contract (1982) reads as Sombre, measured, measured drama / crime, inventive in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Blow-Up (1966) poster
1. Blow-Up1966

Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.

Yesterday Girl (1966) poster
2. Yesterday Girl1966

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

A Man Vanishes (1967) poster
3. A Man Vanishes1967

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

First Name: Carmen (1983) poster
4. First Name: Carmen1983

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

Crumb (1994) (1994) poster
5. Crumb1994

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

The Long Goodbye (1973) poster
6. The Long Goodbye1973

Keeps the heightened unreality and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Detective (1985) poster
7. Detective1985

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Part-Time Work of a Domestic Slave (1973) poster
8. The Part-Time Work of a Domestic Slave1973

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Pornographers (1966) poster
9. The Pornographers1966

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

That Obscure Object of Desire (1977) poster
10. That Obscure Object of Desire1977

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Barton Fink (1991) poster
11. Barton Fink1991

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Every Man for Himself (1980) poster
12. Every Man for Himself1980

Keeps the heightened unreality and the unmistakable directorial hand; trades toward a white-knuckle intensity.

These are The Draughtsman's Contract’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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