FilmsThe CannibalsLike this

Films like The Cannibals.

The Cannibals (1988) reads as Sombre, measured, measured drama / opera, surreal in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

And the Ship Sails On (1983) poster
1. And the Ship Sails On1983

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a patient, unhurried pace.

Love on the Ground (1984) poster
2. Love on the Ground1984

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Zigeunerweisen (1980) poster
3. Zigeunerweisen1980

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

8½ Women (1999) poster
4. 8½ Women1999

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Divine Comedy (1991) poster
5. The Divine Comedy1991

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Fellini's Casanova (1976) poster
6. Fellini's Casanova1976

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a cold, bleak undertow.

Drowning by Numbers (1988) poster
7. Drowning by Numbers1988

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a heightened unreality.

Arabian Nights (Pasolini) (1974) poster
8. Arabian Nights (Pasolini)1974

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Conspirators of Pleasure (1996) poster
9. Conspirators of Pleasure1996

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Lord's Lantern in Budapest (1999) poster
10. The Lord's Lantern in Budapest1999

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

In the Light of the King's Love (1990) poster
11. In the Light of the King's Love1990

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Silvestre (1981) poster
12. Silvestre1981

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a pitch-dark outlook.

These are The Cannibals’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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