Films like Symbiopsychotaxiplasm: Take One.

Symbiopsychotaxiplasm: Take One (1968) reads as Neutral, measured, gentle drama, inventive in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Interview (1971) poster
1. Interview1971

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The Pornographers (1966) poster
2. The Pornographers1966

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Mealtimes (1967) poster
3. Mealtimes1967

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Identification Marks: None (1965) poster
4. Identification Marks: None1965

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Something Different (1963) poster
5. Something Different1963

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Part-Time Work of a Domestic Slave (1973) poster
6. The Part-Time Work of a Domestic Slave1973

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Two or Three Things I Know About Her (1967) poster
7. Two or Three Things I Know About Her1967

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Sun in a Net (1963) poster
8. The Sun in a Net1963

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Married Woman (1964) poster
9. The Married Woman1964

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

A Man Vanishes (1967) poster
10. A Man Vanishes1967

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Blow-Up (1966) poster
11. Blow-Up1966

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a patient, unhurried pace.

That Obscure Object of Desire (1977) poster
12. That Obscure Object of Desire1977

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

These are Symbiopsychotaxiplasm: Take One’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →