FilmsSusanaLike this

Films like Susana.

Susana (1951) reads as Sombre, kinetic, measured drama / melodrama, inventive in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Les Parents Terribles (1948) poster
1. Les Parents Terribles1948

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Rancho Notorious (1952) poster
2. Rancho Notorious1952

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Baby Doll (1956) poster
3. Baby Doll1956

Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.

Forty Guns (1957) poster
4. Forty Guns1957

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Aventurera (1950) poster
5. Aventurera1950

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Night Train (1959) poster
6. Night Train1959

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Dreams (1955) poster
7. Dreams1955

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Pigs and Battleships (1961) poster
8. Pigs and Battleships1961

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a cold, bleak undertow.

Johnny Guitar (1954) poster
9. Johnny Guitar1954

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a patient, unhurried pace.

The Girl Who Knew Too Much (1963) poster
10. The Girl Who Knew Too Much1963

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Two Men in Manhattan (1959) poster
11. Two Men in Manhattan1959

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The Ogre of Athens (1956) poster
12. The Ogre of Athens1956

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a cold, bleak undertow.

These are Susana’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →