Films like Sunrise: A Song of Two Humans.

Sunrise: A Song of Two Humans (1927) reads as Warm, measured, measured romance / drama, inventive in texture. Redemptive, intimate, tender. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Sunrise (1927) poster
1. Sunrise1927

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a cold, bleak undertow.

A Matter of Life and Death (1946) poster
2. A Matter of Life and Death1946

Keeps the unmistakable directorial hand and the bone-dry seriousness — one of the nearest reads in the catalogue.

The Docks of New York (1928) poster
3. The Docks of New York1928

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a cold, bleak undertow.

City Girl (1930) poster
4. City Girl1930

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

I Know Where I'm Going! (1945) poster
5. I Know Where I'm Going!1945

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a heightened unreality.

Sant Tukaram (1936) poster
6. Sant Tukaram1936

Keeps the bone-dry seriousness and the stubborn streak of hope; trades toward a unmistakable directorial hand.

L'Atalante (1934) poster
7. L'Atalante1934

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a cold, bleak undertow.

Earth (1930) poster
8. Earth1930

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a cold, bleak undertow.

Song of the Scarlet Flower (1919) poster
9. Song of the Scarlet Flower1919

Keeps the patient, unhurried pace and the bone-dry seriousness; trades toward a cold, bleak undertow.

Lost Horizon (1937) (1937) poster
10. Lost Horizon1937

Keeps the bone-dry seriousness and the stubborn streak of hope; trades toward a unmistakable directorial hand.

Morocco (1930) poster
11. Morocco1930

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a patient, unhurried pace.

Shanghai Express (1932) poster
12. Shanghai Express1932

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a patient, unhurried pace.

These are Sunrise: A Song of Two Humans’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →