FilmsSindbadLike this

Films like Sindbad.

Sindbad (1971) reads as Neutral, slow-burn, measured drama / arthouse, inventive in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Trás-os-Montes (1976) poster
1. Trás-os-Montes1976

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Zabriskie Point (1970) poster
2. Zabriskie Point1970

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Renaldo and Clara (1978) poster
3. Renaldo and Clara1978

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Kanchana Sita (1977) poster
4. Kanchana Sita1977

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Mirror (1975) poster
5. The Mirror1975

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Garden of Stones (1976) poster
6. The Garden of Stones1976

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a cold, bleak undertow.

The Nouba of the Women of Mount Chenoua (1978) poster
7. The Nouba of the Women of Mount Chenoua1978

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Estheppan (1980) poster
8. Estheppan1980

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Pirosmani (1969) poster
9. Pirosmani1969

Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a gentle temperature.

Maya Darpan (1972) poster
10. Maya Darpan1972

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Sadūto Tūto (1974) poster
11. Sadūto Tūto1974

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a cold, bleak undertow.

Boy Meets Girl (1984) poster
12. Boy Meets Girl1984

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

These are Sindbad’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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