FilmsShirkersLike this

Films like Shirkers.

Shirkers (2018) reads as Warm, steady, gentle documentary, grounded in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Thithi (2015) poster
1. Thithi2015

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Taxi (Panahi) (2015) poster
2. Taxi (Panahi)2015

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Bergman Island (2021) poster
3. Bergman Island2021

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a patient, unhurried pace.

The WorstPerson in theWorld — repeat guard2021
4. The Worst Person in the World — repeat guard2021

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

The Old Man and the Gun (2018) poster
5. The Old Man and the Gun2018

Keeps the unmistakable directorial hand and the heightened unreality — one of the nearest reads in the catalogue.

The Mole Agent (2020) poster
6. The Mole Agent2020

Keeps the patient, unhurried pace and the heightened unreality — one of the nearest reads in the catalogue.

Taxi (2015) poster
7. Taxi2015

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Woman with a Camera (2024) poster
8. Woman with a Camera2024

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a cold, bleak undertow.

Wheel of Fortune and Fantasy (2021) poster
9. Wheel of Fortune and Fantasy2021

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a patient, unhurried pace.

The Truth (Kore-eda) (2019) poster
10. The Truth (Kore-eda)2019

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a cold, bleak undertow.

Stories We Tell (2012) poster
11. Stories We Tell2012

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

George Harrison: Living in the Material World (2011) poster
12. George Harrison: Living in the Material World2011

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

These are Shirkers’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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